However, existing MU evaluation systems present several key challenges that can result in incomplete and inaccurate assessments.

'Picasso,' we explore the potential for unique, crowd-sourced styles that could provide deep insights into the collective creative psyche of users

In this paper, we introduce an unsupervised learning approach to automatically discover, summarize, and manipulate artistic styles from large collections of paintings. Our method is based on archetypal analysis, which is an unsupervised learning technique akin to sparse coding with a geometric interpretation. When applied to deep image representations from a data collection, it learns a dictionary of archetypal styles, which can be easily visualized. After training the model, the style of a new image, which is characterized by local statistics of deep visual features, is approximated by a sparse convex combination of archetypes. This allows us to interpret which archetypal styles are present in the input image, and in which proportion. Finally, our approach allows us to manipulate the coefficients of the latent archetypal decomposition, and achieve various special effects such as style enhancement, transfer, and interpolation between multiple archetypes.

However, existing MU evaluation systems present several key challenges that can result in incomplete and inaccurate assessments.

Concept erasure techniques have been widely deployed in T2I diffusion models to prevent inappropriate content generation for safety and copyright considerations. However, as models evolve to next-generation architectures like Flux, established erasure methods (\textit{e.g.}, ESD, UCE, AC) exhibit degraded effectiveness, raising questions about their true mechanisms. Through systematic analysis, we reveal that concept erasure creates only an illusion of ``amnesia": rather than genuine forgetting, these methods bias sampling trajectories away from target concepts, making the erasure fundamentally reversible. This insight motivates the need to distinguish superficial safety from genuine concept removal. In this work, we propose \textbf{RevAm} (\underline{Rev}oking \underline{Am}nesia), an RL-based trajectory optimization framework that resurrects erased concepts by dynamically steering the denoising process without modifying model weights. By adapting Group Relative Policy Optimization (GRPO) to diffusion models, RevAm explores diverse recovery trajectories through trajectory-level rewards, overcoming local optima that limit existing methods. Extensive experiments demonstrate that RevAm achieves superior concept resurrection fidelity while reducing computational time by 10$\times$, exposing critical vulnerabilities in current safety mechanisms and underscoring the need for more robust erasure techniques beyond trajectory manipulation.

Current legal frameworks consider AI-generated works eligible for copyright protection when they meet originality requirements and involve substantial human intellectual input. However, systematic legal standards and reliable evaluation methods for AI art copyrights are lacking. Through comprehensive analysis of legal precedents, we establish three essential criteria for determining distinctive artistic style: stylistic consistency, creative uniqueness, and expressive accuracy. To address these challenges, we introduce ArtBulb, an interpretable and quantifiable framework for AI art copyright judgment that combines a novel style description-based multimodal clustering method with multimodal large language models (MLLMs). We also present AICD, the first benchmark dataset for AI art copyright annotated by artists and legal experts. Experimental results demonstrate that ArtBulb outperforms existing models in both quantitative and qualitative evaluations. Our work aims to bridge the gap between the legal and technological communities and bring greater attention to the societal issue of AI art copyrights.

Remarkable progress in text-to-image diffusion models has brought a major concern about potentially generating images on inappropriate or trademarked concepts. Concept erasing has been investigated with the goals of deleting target concepts in diffusion models while preserving other concepts with minimal distortion. To achieve these goals, recent concept erasing methods usually fine-tune the cross-attention layers of diffusion models. In this work, we first show that merely updating the cross-attention layers in diffusion models, which is mathematically equivalent to adding \emph{linear} modules to weights, may not be able to preserve diverse remaining concepts. Then, we propose a novel framework, dubbed Concept Pinpoint Eraser (CPE), by adding \emph{nonlinear} Residual Attention Gates (ResAGs) that selectively erase (or cut) target concepts while safeguarding remaining concepts from broad distributions by employing an attention anchoring loss to prevent the forgetting. Moreover, we adversarially train CPE with ResAG and learnable text embeddings in an iterative manner to maximize erasing performance and enhance robustness against adversarial attacks. Extensive experiments on the erasure of celebrities, artistic styles, and explicit contents demonstrated that the proposed CPE outperforms prior arts by keeping diverse remaining concepts while deleting the target concepts with robustness against attack prompts. Code is available at https://github.com/Hyun1A/CPE

Diffusion models (DMs) have achieved significant progress in text-to-image generation. However, the inevitable inclusion of sensitive information during pre-training poses safety risks, such as unsafe content generation and copyright infringement. Concept erasing finetunes weights to unlearn undesirable concepts, and has emerged as a promising solution. However, existing methods treat unsafe concept as a fixed word and repeatedly erase it, trapping DMs in ``word concept abyss'', which prevents generalized concept-related erasing. To escape this abyss, we introduce semantic-augment erasing which transforms concept word erasure into concept domain erasure by the cyclic self-check and self-erasure. It efficiently explores and unlearns the boundary representation of concept domain through semantic spatial relationships between original and training DMs, without requiring additional preprocessed data. Meanwhile, to mitigate the retention degradation of irrelevant concepts while erasing unsafe concepts, we further propose the global-local collaborative retention mechanism that combines global semantic relationship alignment with local predicted noise preservation, effectively expanding the retentive receptive field for irrelevant concepts. We name our method SAGE, and extensive experiments demonstrate the comprehensive superiority of SAGE compared with other methods in the safe generation of DMs. The code and weights will be open-sourced at https://github.com/KevinLight831/SAGE.

Text-to-image diffusion models excel at generating diverse portraits, but lack intuitive shadow control. Existing editing approaches, as post-processing, struggle to offer effective manipulation across diverse styles. Additionally, these methods either rely on expensive real-world light-stage data collection or require extensive computational resources for training. To address these limitations, we introduce Shadow Director, a method that extracts and manipulates hidden shadow attributes within well-trained diffusion models. Our approach uses a small estimation network that requires only a few thousand synthetic images and hours of training-no costly real-world light-stage data needed. Shadow Director enables parametric and intuitive control over shadow shape, placement, and intensity during portrait generation while preserving artistic integrity and identity across diverse styles. Despite training only on synthetic data built on real-world identities, it generalizes effectively to generated portraits with diverse styles, making it a more accessible and resource-friendly solution.